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Michael Gene Sullivan is an actor, writer, director, essayist, and teacher committed to developing theatre of social and economic justice, of political self-determination, and, of course, musical comedy. Michael is also an alum of the nationally-acclaimed  Playwright's Foundation, a Djerassi Center Artist Fellow, and in 2022 was awarded a Guggenheim Fellowship.

 

An accomplished  veteran of Bay Area theater, Michael is also a Collective Member and Resident Director of the Tony and OBIE award-winning, always revolutionary, and never, ever silent San Francisco Mime Troupe, where he has written, acted in, and/or directed over thirty plays.

(For more about Michael and his wife, Velina Brown, see the article about them in American Theatre Magazine.)

 

As an Actor:

 

Michael has acting credits at the Bay Area's four Tony award-winning regional theatres:

The American Conservatory Theater,  The San Francisco Mime Troupe, Theatreworks, and  Berkeley Repertory Theatre. He has also performed at the California Shakespeare TheatreDenver Center Theatre Company, San Francisco PlayhouseThe Magic Theatre, The Marin Theatre Company, Marin Shakespeare CompanySymmetry Theatre, Central Works, Word For Word,  The Lorraine Hansberry Theater, African-American Shakespeare CompanySan Francisco Shakespeare Festival, as well performances off-Broadway, at the Kennedy Center for the Performing Arts, the Asian People's Theater Festival (Hong Kong), The Festival of People's Theatre (Canada), the Kwachon International Outdoor Theatre Festival (Korea), the Israel Theatre Festival, and the International Festival of Theatre Action (Belgium). Since 1988 he has also been a principal member of the San Francisco Mime Troupe, where he has acted in, directed, and/or directed over thirty productions in the US and abroad.

(To visit Michael's acting resume click here.)

As a Playwright Michael's most recent plays include: ​

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A RED CAROL (2024) Produced by the San Francisco Mime Troupe and Z Space. Music arrangement and additional lyrics by Daniel Savio

“A fierce critic of poverty and social stratifications, (Dickens’) views are at the forefront of A Christmas Carol and perfectly aligned with director Michael Gene Sullivan and the Mime Troupe’s mission.”

Broadway World

"It all works. It always works. The reason is Michael Gene Sullivan, who wrote and directed this production.  The shows are so damned smart. They know exactly what they’re doing and nobody does it better."

SF Theatre Blog

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AMERICAN DREAMS (2024)  Produced by the San Francisco Mime Troupe, with music and lyrics by Daniel Savio

“Let SF Mime Troupe’s American Dreams serve as a waking vision of the nightmare a Trump return would bring. We can’t predict what’ll happen the morning after the election, but American Dreams presents an entertaining reason to keep fighting the good fight.”

48 Hills

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SIGN MY NAME TO FREEDOM - THE UNHEARD SONGS OF BETTY REID SOSKIN  (2024) Produced by the San Francisco Bay Area Theatre Company, with music and lyrics by Betty Reid Soskin

"There are times when seeing a live, theatre production is nothing short of a blessed event in one’s life – a time when a story and its telling is so profound that one knows that the moments in that arena with those actors will never be forgotten."

 

Such was my feeling after witnessing the near one hundred years of Betty Reid Soskin’s life pass before us in SFBATCO’s captivating, uplifting, and energizing world premiere of Sign My Name to Freedom by Michael Gene Sullivan (book).  Peppered with songs written by Soskin during her lifetime, Sign My Name to Freedom is a joyful and eye-opening testament not only to the incredible, wide-range personal and political accomplishments of one woman of mixed Creole and Black heritage but also to a history too long untold of the struggles, the injustices against, and the sheer courage and determination to survive and succeed of so many others like her.”

THEATRE EDDYS

THE GREAT KHAN, had its World Premiere at San Francisco Playhouse and San Diego REPertory Theatre in the 2021/22 season.

“Brilliant..." “Michael Gene Sullivan has certainly entertained the audience with this amazing new play, but The Great Khan is far more than entertainment. It's a view of history and culture and humanity that would be incredibly important at any point in time, but is especially important now, as we continue to struggle to excise the racism that is deep in the bones of American culture.”

 Talking’ Broadway

(For more info about THE GREAT KHAN click HERE )

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Leon Jones and Brian Rivera, SF Playhouse

1984, his critically-acclaimed stage adaptation of George Orwell's classic novel, opened at Los Angeles' Actors' Gang Theatre under the direction of Academy Award winning actor Tim Robbins. 1984 has had repeated extended runs in LA, toured to Australia, Europe, Asia, Central and South America, and 40 of the United States. In 2013 1984 was published in the United States, Canada, and Spain, is available in six languages, and in 2019 opened at the Theatre on Podol, the newly designated National Theater of Ukraine in Kiev.

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"Stunning!" "Tripleplusgood!" "Incontestably superior to the 2017 Broadway production! Comfort food it isn’t, but if you’re up for stronger fare, make haste to check it out."

Wall Street Journal

"Sullivan does an exemplary job of distilling "1984's" political essence... to communicate the pointed richness of Orwell's thought.

Los Angeles Times

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"Vivid, unsettling... a masterwork of novelistic concision." 

American Theatre Magazine

(Click  HERE  for more information about Michael's 1984.)

 

(Click  HERE  for a calendar of productions of 1984.)

A contributing writer on San Francisco Mime Troupe shows since the mid-nineties, in 2000 Michael became Resident Playwright for the Troupe, and has written and co-written some of the biggest hits it the history of the company, including 1600 TRANSYLVANIA AVENUE, MR. SMITH GOES TO OBSCURISTAN (with Josh Kornbluth), VERONIQUE OF THE MOUNTIES, GODFELLAS, RED STATE, (nominated for The San Francisco Bay Area Critic's Circle Award for Best Original Script of 2008,) the Mime Troupe's 50th Anniversary production TOO BIG TO FAIL, (nominated for Best Original Script of 2009), POSIBILIDAD, or DEATH OF THE WORKER, and RIPPLE EFFECT (with Tanya Shaffer and Eugenie Chan), FREEDOMLAND (nominated Best World Premiere Musical, Theatre Bay Area Awards 2015), SCHOOLED (with Eugenie Chan), 2017's WALLS,  2019's TREASURE ISLAND.

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Michael's other produced plays include RECIPE, an all-woman political farce (Centralworks, 2014), his one person show, DID ANYONE EVER TELL YOU - YOU LOOK LIKE HUEY P. NEWTON?, which premiered at the New York Fringe Festival, and went on to award winning and critically acclaimed runs at the Vancouver Fringe Festival, and at the Eureka Theatre in San Francisco, and his Zoom adaptation of H.G. Wells' THE WAR OF THE WORLDS for the University of San Francisco.

​(For a list of Michael's plays and review quotes click HERE)

As a Director:

 

Michael has staged several of SFMT's most popular shows, including A RED CAROL, BREAKDOWN, SCHOOLED, FOR THE GREATER GOOD, RED STATE, VERONIQUE OF THE MOUNTIES, 1600 TRANSYLVANIA AVENUE, COAST CITY CONFIDENTIAL, KILLING TIME, co-directed MAKING A KILLING and, MR. SMITH GOES TO OBSCURISTAN, and directed the award-winning production of I AIN’T YO UNCLE.

 

Other directing credits include THE COMEDY OF ERRORS (Marin Shakespeare Company), THE LAST SERMON OF SISTER AMANI (Theatre First), JULIUS CAESAR (San Francisco Shakespeare Festival) JULIUS CAESAR and COLORED MUSEUM (African American Shakespeare Company), DEATH AND THE MAIDEN (Mystic Bison Theatre), HONG KONG MEMORIES, EXOTIC FORTUNES (Castle Peak Productions), STEW, ENVELOPE BOY, (Ironworkers Local 202) and A DAY OF ABSENCE (East Bay Center for the Performing Arts.) He was co-Artistic Director of the Street of Dreams Theater ('80 - ’86), Associate Artistic Director of the Lorraine Hansberry Theater ('93 -’94), and is since 1994 he's been co-Artistic Director of the San Francisco Mime Troupe. From 2008 - 2010 he directed FRAU BACKFEIFENGESICHT'S SPECTACLE OF PERFECTION and THE SLAPSTICK SLAVIC CABARET for the all- woman, all-amazing, and all-hilarious CIRCUS FINELLI. ​

In the past 20 years Michael has taught hundreds of Bay Area high school students as principal teacher with the San Francisco Mime Troupe's acclaimed Young California Writer's Project. YCWP places a professional playwright/teacher in class for 10 weeks, mentoring student writers as they create their own one-act plays, which are then produced with professional actors and directors in a one-night festival. Michael has also taught playwriting workshops for the American Conservatory Theater's Studio A.C.T and the Aurora Theatre. Michael has been a guest lecturer on artistic activism at Yale University, and has lectured on playwriting and play creation at Stanford University, The National Theatre Conservatory, Trinity College, Dartmouth College, University of Southern California, University of California at Humboldt, New Colleges of San Francisco and Santa Rosa, and the University of Minnesota at Minneapolis. 

As an Essayist:

 

For ten years Michael was a regular contributor to Huffingtonpost.com, one of the foremost political sites on the internet, as well as a regular contributor to Daily Kos, and Progressive Army. He has spoken politically at events throughout the Bay Area, at the National Mall in Washington, D.C., and teaches a workshop for political speakers, "SAY IT LOUD! How to communicate your passion and message, and inspired your audience to action!"

(To read Michael's political commentary click here.)

(To see some of his video editorials click here.)

Michael's awards include The San Francisco Chronicle Award for Outstanding Achievement in Acting, The Bay Guardian's Upstage/Downstage Award and San Francisco Bay Area Drama Critic Circle Solo Performance Award nomination for DID ANYONE EVER TELL YOU..., The Dean Goodman Choice Award for Principal Performer, and the Israel Baran Playwriting Award for RECIPE. Michael is a two-time Theatre Bay Area CA$H Grant award winner, was awarded the Sacramento Area Regional Theatre Award for Best Direction for I AM A MAN at the Harbor Theatre, and his re-staging of SFMT's I AIN'T YO UNCLE won several Dramalogue Awards, including Outstanding Direction. In 2015 Michael was given Stanford University's Equity Award for using his work to help achieve racial, gender, and age balance on stage, and in 2016 he was honored by Theatre Bay Area as one  of "40 stellar theatre artists, supporters and champions that have changed the face of Bay Area theatre."

During the pandemic years of 2020/21 Michael also wrote and starred in a thirteen episode detective noir/sci-fi/horror/adventure radio series TALES OF THE RESISTANCE  I and II, and adapted to the radio his labor-oriented version of Charles DIckens' Christmas classic, A RED CAROL.

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